P-Prompt: re:re:re:er:ri mixtape: Difference between revisions

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'''Erri Ammonita''' share four stories about the collection of songs and sound files which they copied on 19 used cassette tapes decorated with found letters. Together with the four stories, this prompt brings up some of the many layers of reuse that are part of making music.
'''Erri Ammonita''' share a booklet with four stories and a set of mixtapes that bring up many layers of reuse being part of making music. The stories are about the collected music pieces copied on 19 used cassette tapes decorated with found letters. These mixtapes are in slow pick-up circulation. If you would like to ge a tape and the printed booklet


<div class="prompt">The booklet tells four stories about music pieces that are collected inside the re:re:re:er:ri mixtape, which might be in your hands as well.


It is a contribution to think along with the CC4r license about the ethics and politics of re-use, through music.
'''Erri Ammonita''' share four stories about selected songs copied on 19 used cassette tapes decorated with found letters. The stories printed in a booklet and the music on the mixtapes bring up the many layers of reuse that form part of making music.  


Each story engages with (and sometimes provides a possible answer to) one of the following questions:
Both the booklets and mixtapes are in slow hand-to-hand pick-up circulation. If you would like to receive the tape and booklet, do write us an email, and we'll put it in our or a friend's bag, when a trip to your destination is on the schedule.


* How to collectively resist appropriation outside of legal frameworks?


* What type of reuse is the indiscriminate and automated one brought on by machinic processes? Why and how to take collective stances towards it?
<div class="prompt">The booklet tells four stories about music pieces that are collected inside the re:re:re:er:ri mixtape, which might be in your hands as well. It is a contribution to think along with the CC4r license about the ethics and politics of re-use, through music. Each story engages with (and sometimes provides a possible answer to) one of the following questions:


* Can reuse without consent of "original authors" happen in a response-able and critically implicated manner?
* How to collectively resist appropriation outside legal frameworks?
 
* What type of reuse is the indiscriminate and automated one brought on by machine-processes? Why and how to take collective stances towards it?
 
* Can reuse without consent of “original authors” happen in a response-able and critically implicated manner?


* How does something stereotypical, offensive and mercenary get turned into something empowering and radical, and vice versa?
* How does something stereotypical, offensive and mercenary get turned into something empowering and radical, and vice versa?

Revision as of 08:08, 24 July 2024

Erri Ammonita share a booklet with four stories and a set of mixtapes that bring up many layers of reuse being part of making music. The stories are about the collected music pieces copied on 19 used cassette tapes decorated with found letters. These mixtapes are in slow pick-up circulation. If you would like to ge a tape and the printed booklet


Erri Ammonita share four stories about selected songs copied on 19 used cassette tapes decorated with found letters. The stories printed in a booklet and the music on the mixtapes bring up the many layers of reuse that form part of making music.

Both the booklets and mixtapes are in slow hand-to-hand pick-up circulation. If you would like to receive the tape and booklet, do write us an email, and we'll put it in our or a friend's bag, when a trip to your destination is on the schedule.


The booklet tells four stories about music pieces that are collected inside the re:re:re:er:ri mixtape, which might be in your hands as well. It is a contribution to think along with the CC4r license about the ethics and politics of re-use, through music. Each story engages with (and sometimes provides a possible answer to) one of the following questions:
  • How to collectively resist appropriation outside legal frameworks?
  • What type of reuse is the indiscriminate and automated one brought on by machine-processes? Why and how to take collective stances towards it?
  • Can reuse without consent of “original authors” happen in a response-able and critically implicated manner?
  • How does something stereotypical, offensive and mercenary get turned into something empowering and radical, and vice versa?


Download booklet re:re:re:er:ri mixtape PDF