CC4R Library List

Publi Fluor, 2024

Crickx Research group, Brussels: Surfaces Utiles

CUTE: Conditions d’Utilisations Typographiques Engageantes V.01, 2024

Bye Bye Binary (Ludi Loiseau. Eugénie Bidaut, Mariel Nils, Clara Sambot, Camille Circlude, Enz@ Le Garrec, Laure Giletti, Pierre Huyghebaert). Download PDF

Content/Form, A Peer-Reviewed Newspaper, 2024

This newspaper was published in the context of transmediale, Berlin, February 2024

Technodisobedience, 2024

Brussels: Constant

Ancho, 2024

Jara Rocha, Barcelona: Hamaca

Constant V, 2024

Catalogue 2019-2022, Brussels: Constant

Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence, 2024

This is the opening paragraph of Gary Hall's forthcoming book (in 2024), submitted to Open Humanities Press's Media:Art:Write:Now series, edited by Joanna Zylinska, Coventry.

From the colophon:

Masked Media is not a human-authored work. The thinking within it has been generated by an heterogenous assemblage of humans and nonhumans, including AI. As such, even though this book appears under the proper name ‘Gary Hall’, it is not the intellectual property of a single human individual. Masked Media is published under a Collective Conditions for Re-Use licence to reflect this, despite CC4r being on its own account perhaps too provisional to be considered an actual licence (Constant 2023). But then a work authored significantly by nonhumans is not eligible for copyright protection in most legal systems anyway.

Cypher Sex, “How to Cypher Sex: A Manual for Collective Digital Self-Defense Guides,” 2023

Brussels: Constant. https://calibre.constantvzw.org/book/193

CryptoAudit GmbH, Cyber Technology GmbH, 2023

Femke Snelting, Peter Westenberg, part of the series "I have been charmed in the most unlikely places editions, Zug. Basel:Institute Experimental Design and Media Cultures (IXDM)/Critical Media Lab, Atelier Mondial

Plants by Numbers, 2023

Jane Prophet, Helen Pritchard (ed). London, New York, Dublin: Bloomsbury Visual Arts

Trans*feminist Counter Cloud Action, 2023

Brussels: The Institute for Technology in the Public Interest

Potential Removal, 2023

Peter Westenberg and Femke Snelting, (Basel: TITiPI), https://titipi.org/pub/potentialremoval/.

Teaching to Transgress Toolbox, 2022

erg, Brussels, HDK-Valand Göteborg. https://ttttoolbox.net/

SPLINT Cards, 2022

Constant, Version 1.1, Brussels, June 2022

Port-Miou, terre d'extractions, 2022

Enquete sur les traces et les devenirs d'une carrière, Livia Cahn, Élise Debouny, Noémie Pons-Rotbardt. Brussels: Hors-Norme

Volumetric Regimes: Material Cultures of Quantified Presence, 2022

Possible Bodies ed., London: Open Humanities Press

Futurology of Cooperation 2022

A Czapski and D Peeters, Ghent, Brussels: KASK & Conservatorium, the School of Arts and Howest. https://grimoire.futurology.be/

Reclaiming Digital Infrastructures

Femke Snelting, Peter Westenberg (ed.). Part of Peter Westenberg's project at KASK, Ghent "Reclaiming the school"

Vernaculars Come to Matter: (Re)Orienting Language and Technology, 2021

Cristina Cochior, Julie Boschat-Thorez, and Manetta Berends. Rotterdam: Everyday Technology Press

DiVersions V2, 2021

ed. Elodie Mugrefya and Femke Snelting. Rahel Aima et al., Brussels: Constant https://diversions.constantvzw.org/publication/diversions_v2.pdf+

Noun to Verb, 2020

Eva Weinmayr. Noun to Verb: an investigation into the micro-politics of publishing through artistic practice. Göteborg: Art Monitor, HDK-Valand, Göteborg Universität. https://cutt.ly/noun-to-verb