CC4R Library List: Difference between revisions
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
| Line 11: | Line 7: | ||
==Publi Fluor, 2024 == | |||
Crickx Research group, Brussels: Surfaces Utiles | |||
== Content/Form, A Peer-Reviewed Newspaper, 2024 == | |||
This newspaper was published in the context of transmediale, February 2024. | |||
==Ancho, 2024== | ==Ancho, 2024== | ||
| Line 17: | Line 18: | ||
==Constant V, 2024== | ==Constant V, 2024== | ||
Catalogue 2019-2022 (Constant, | Catalogue 2019-2022, Constant | ||
== Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence == | |||
This is the opening paragraph of Gary Hall's forthcoming book (in 2024), submitted to Open Humanities Press's ''Media:Art:Write:Now'' series, edited by Joanna Zylinska. | |||
<blockquote>Masked Media is not a human-authored work. The thinking within it has been generated by an heterogenous assemblage of humans and nonhumans, including AI. As such, even though this book appears under the proper name ‘Gary Hall’, it is not the intellectual property of a single human individual. Masked Media is published under a Collective Conditions for Re-Use licence to reflect this, despite CC4r being on its own account perhaps too provisional to be considered an actual licence (Constant 2023). But then a work authored significantly by nonhumans is not eligible for copyright protection in most legal systems anyway. | |||
</blockquote> | |||
==Cypher Sex, “How to Cypher Sex: A Manual for Collective Digital Self-Defense Guides,” 2023==Brussels, Constant. https://calibre.constantvzw.org/book/193 | |||
==SPLINT Cards, 2022== | ==SPLINT Cards, 2022== | ||
| Line 28: | Line 39: | ||
A Czapski and D Peeters, Ghent, Brussels: KASK & Conservatorium, the School of Arts and Howest. https://grimoire.futurology.be/ | A Czapski and D Peeters, Ghent, Brussels: KASK & Conservatorium, the School of Arts and Howest. https://grimoire.futurology.be/ | ||
== DiVersions V2, 2021== | |||
ed. Elodie Mugrefya and Femke Snelting. Rahel Aima et al., Brussels: Constant https://diversions.constantvzw.org/publication/diversions_v2.pdf+ | |||
== Noun to Verb, 2020 == | == Noun to Verb, 2020 == | ||
Eva Weinmayr. Noun to Verb: an investigation into the micro-politics of publishing through artistic practice. Göteborg: Art Monitor, HDK-Valand, Göteborg Universität. https://cutt.ly/noun-to-verb | Eva Weinmayr. Noun to Verb: an investigation into the micro-politics of publishing through artistic practice. Göteborg: Art Monitor, HDK-Valand, Göteborg Universität. https://cutt.ly/noun-to-verb | ||
== Marloes publication == | == Marloes publication == | ||
== TITiPI publications == | == TITiPI publications == | ||
== CUTE == | == CUTE: Conditions d’Utilisations Typographiques Engageantes V.01, 2024== | ||
[http://genderfluid.space/ Bye Bye Binary][[:File:Cute.pdf|Download PDF]] | |||
Revision as of 14:39, 30 April 2024
Publi Fluor, 2024
Crickx Research group, Brussels: Surfaces Utiles
Content/Form, A Peer-Reviewed Newspaper, 2024
This newspaper was published in the context of transmediale, February 2024.
Ancho, 2024
Jara Rocha, Barcelona: Hamaca
Constant V, 2024
Catalogue 2019-2022, Constant
Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence
This is the opening paragraph of Gary Hall's forthcoming book (in 2024), submitted to Open Humanities Press's Media:Art:Write:Now series, edited by Joanna Zylinska.
Masked Media is not a human-authored work. The thinking within it has been generated by an heterogenous assemblage of humans and nonhumans, including AI. As such, even though this book appears under the proper name ‘Gary Hall’, it is not the intellectual property of a single human individual. Masked Media is published under a Collective Conditions for Re-Use licence to reflect this, despite CC4r being on its own account perhaps too provisional to be considered an actual licence (Constant 2023). But then a work authored significantly by nonhumans is not eligible for copyright protection in most legal systems anyway.
==Cypher Sex, “How to Cypher Sex: A Manual for Collective Digital Self-Defense Guides,” 2023==Brussels, Constant. https://calibre.constantvzw.org/book/193
SPLINT Cards, 2022
Constant, Version 1.1, June 2022
Volumetric Regimes: Material Cultures of Quantified Presence, 2022
Possible Bodies ed., London: Open Humanities Press
Futurology of Cooperation 2022
A Czapski and D Peeters, Ghent, Brussels: KASK & Conservatorium, the School of Arts and Howest. https://grimoire.futurology.be/
DiVersions V2, 2021
ed. Elodie Mugrefya and Femke Snelting. Rahel Aima et al., Brussels: Constant https://diversions.constantvzw.org/publication/diversions_v2.pdf+
Noun to Verb, 2020
Eva Weinmayr. Noun to Verb: an investigation into the micro-politics of publishing through artistic practice. Göteborg: Art Monitor, HDK-Valand, Göteborg Universität. https://cutt.ly/noun-to-verb
