Case titles: Difference between revisions
(Created page with "Title: reuse case:conceptual poetry: just a publicly available document<br/> A conceptual poet decides to recite official documents in a performance at a poetry festival. These documents describe in detail the autopsy of a teenager who was recently shot by the police. The performance of the autopsy of a Black teenager by a White established poet, presented as a piece of conceptual poetry, creates an outrage. The poet does not apologize and insists that he “took a pub...") |
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<h1>reuse case: conceptual poetry – just a publicly available document</h1> | |||
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A conceptual poet decides to recite official documents in a performance at a | A conceptual poet decides to recite official documents in a performance at a | ||
poetry festival. These documents describe in detail the autopsy of a teenager | poetry festival. These documents describe in detail the autopsy of a teenager | ||
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witnessed first-hand (in this case by the doctor performing the autopsy) and | witnessed first-hand (in this case by the doctor performing the autopsy) and | ||
simply read it”. The autopsy documents are available in the public domain. | simply read it”. The autopsy documents are available in the public domain. | ||
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reuse case: cultural appropriation – who decides<br/> | |||
A EU-funded project on critical pedagogies in the arts is named after <i>Teaching | |||
to transgress - education as the practice of freedom <i/>, a well known book by Afro- | |||
American feminist activist teacher and author bell hooks. Participants in the | |||
project question whether choosing this title is a form of unethical cultural | |||
appropriation. They wonder whether it counts as appropriate to use it for a | |||
project organised by white folks in three European art schools. The bell hooks | |||
foundation is asked for their opinion, who support the reuse of the book title | |||
for the educational project. This opinion appeases the nervousness in the | |||
group. The process leaves others to wonder why the bell hooks foundation has | |||
been readily accepted as THE authority in solving the question (whether the | |||
use of the title was an appropriative act) or whether there would have been | |||
other ways to address the question. | |||
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Revision as of 17:28, 15 March 2024
reuse case: conceptual poetry – just a publicly available document
A conceptual poet decides to recite official documents in a performance at a
poetry festival. These documents describe in detail the autopsy of a teenager
who was recently shot by the police. The performance of the autopsy of a
Black teenager by a White established poet, presented as a piece of
conceptual poetry, creates an outrage. The poet does not apologize and insists
that he “took a publicly available document from an American tragedy that was
witnessed first-hand (in this case by the doctor performing the autopsy) and
simply read it”. The autopsy documents are available in the public domain.
reuse case: cultural appropriation – who decides
A EU-funded project on critical pedagogies in the arts is named after Teaching
to transgress - education as the practice of freedom , a well known book by Afro-
American feminist activist teacher and author bell hooks. Participants in the
project question whether choosing this title is a form of unethical cultural
appropriation. They wonder whether it counts as appropriate to use it for a
project organised by white folks in three European art schools. The bell hooks
foundation is asked for their opinion, who support the reuse of the book title
for the educational project. This opinion appeases the nervousness in the
group. The process leaves others to wonder why the bell hooks foundation has
been readily accepted as THE authority in solving the question (whether the
use of the title was an appropriative act) or whether there would have been
other ways to address the question.