Glossary: Difference between revisions
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== Free Art Licence == | == Free Art Licence == | ||
The Free Art License is a Free Culture license created in 2000 in France, based on contributions from artists and legal scholars to the mailing list copyleft_attitude@april.org, including Melanie Clément-Fontaine, David Geraud, Isabelle Vodjdani, and Antoine Moreau. | |||
This particular license has been an inspiring project because, in contrast with more mainstream projects such as Creative Commons, FAL maintains its enthusiasm for F/LOSS ideology and reformulates the interrelated mechanisms of “use, copy, distribute, transform, and prohibition of exclusive appropriation” in its own poetic way. The writing of this license and the collective practicing of its implications are part of an ongoing artistic project with explicit anti-capitalist politics. | |||
https://artlibre.org/ | |||
== Copyleft == | == Copyleft == | ||
Revision as of 05:09, 23 August 2024
Revisit Reuse
Revisit Reuse was a small-scale exhibition and two day worksession that took place in Brussels, May 2024. It brought together questions and provocations addressing universalisms in Free Culture and Open Access and to build resources for collective practices of reuse. How to deal with issues of cultural appropriation, power differences and the limits of conventional citation and acknowledgment?
The space and the exhibition were designed in collaboration with artist Flo*Souad Benaddi and included a series of prompts by Erri Ammonita, Bye Bye Binary, Séverine Dusollier, Andrea Francke, Gary Hall, Jennifer Hayashida, Cathryn Klasto, Nkule Mabaso, Nicolas Malevé, Dubravka Sekulić, Winnie Soon, Christopher Ba Thi Nguyen, Marloes de Valk and Stephen Wright. We also included a collection of cases that showed the complexities of reuse, and a library of materials published under the Collective Conditions for Reuse (CC4r), in collaboration with Constant. Flo*Souad Benaddi, Clara Bougon, Castillo, Sarah Magnan, Chae Kim, Cathryn Klasto, Gerrie van Noord, Femke Snelting, Litó Walkey, Eva Weinmayr took part in the worksession.
Limits to Openness Reading Group
2023 "Limits to Openess"
Creative Commons (CC)
Collective Conditions for reuse (CC4r)
Collective Conditions for reuse (CC4r) is a collectively written document that can be included in any publication as a way to reorient conventional copyright. It is based on the Free Art License (FAL), but reformulates the position of the author as an individual, to recognize that authorship is "situated in social and historical conditions and that there may be reasons to refrain from release and re-use". In an important deviation from FAL and other Free Culture licenses, it asks reusers to "take into account that the defaults of openness and transparency have different consequences in different contexts” and introduces the possibility of not-sharing.
https://constantvzw.org/wefts/cc4r.en.html
Collective Commitment to reuse (CC4r-r)
Free Art Licence
The Free Art License is a Free Culture license created in 2000 in France, based on contributions from artists and legal scholars to the mailing list copyleft_attitude@april.org, including Melanie Clément-Fontaine, David Geraud, Isabelle Vodjdani, and Antoine Moreau.
This particular license has been an inspiring project because, in contrast with more mainstream projects such as Creative Commons, FAL maintains its enthusiasm for F/LOSS ideology and reformulates the interrelated mechanisms of “use, copy, distribute, transform, and prohibition of exclusive appropriation” in its own poetic way. The writing of this license and the collective practicing of its implications are part of an ongoing artistic project with explicit anti-capitalist politics.
Copyleft
Authors of the Future
2019, Brussels
First Times Do Not Exist
https://www.goteborgslitteraturhus.se/event/first-times-do-not-exist/
