Biographies

Séverine Dusollier

Severine Dusollier is Professor of Intellectual Property in the Law School of Sciences Po Paris and holds a Senior Chair at the Institut Universitaire de France. She is the director of the law school research centre, member of its doctoral committee and the Head of the Master in Innovation Law. From 2014-2019, she was the holder of an ERC (European Research Council) research grant on commons and inclusivity in property. Her current research interests are digital issues of copyright, the concept of authorship, contractual protection of authors and perf

Marloes de Valk

Marloes de Valk (NL) is a software artist and writer in the post-despair stage of coping with the threat of global warming and being spied on by the devices surrounding her. Surprised by the obsessive dedication with which we, even post-Snowden, share intimate details about ourselves to an often not too clearly defined group of others, astounded by the deafening noise we generate while socializing with the technology around us, she is looking to better understand why.

She is a PhD researcher at the Centre for the Study of the Networked Image at London South Bank University, in collaboration with The Photographer's Gallery, looking into the material and social impact of the networked image on the climate crisis.

https://bleu255.com/~marloes

Andrea Francke

Andrea is a Peruvian social practice artist based in London invested in invisibility, transparency, and developing administrative and pedagogical infrastructures as aesthetic strategies. Selected current projects includeTen Texts on Sculpture (with Matthew de Kersaint Girardeau) podcasts series to explore reading with art students; FR&ND, a platform for artists# board games (with Francis Patrick-Brady); Future of the Left (FOTL), exploring the political and aesthetic dimensions of administration and policy (with Ross Jardine). Past projects include The Piracy Project (with Eva Weinmayr) exploring book piracy, copying, and other reproduction techniques, Invisible Spaces of Parenthood (with Kim Dhillon).

She currently works a Senior Lecturer at Chelsea College of Arts. Her work has been exhibited and supported by the Serpentine Gallery London, The Showroom London, Gasworks, South London Gallery, The Bluecoat Gallery Liverpool, Grand Union Birmingham, CCA Derry-Londonderry, Bisagra Lima-PE, Bar Project (Barcelona-SP), 221a Vancouver, Truth is Concrete Graz, Rum46 Aarhus, Bergen Kunsthall, and Munich Kunstverein, among others.

Dubravka Sekulić

Dubravka Sekulić is an architect, theorist and educator. Her research explores transformations of contemporary cities, at the nexus between the production of space, laws, and economy. She holds a PhD from gta the Institute for History and Theory of Architecture, ETH Zurich (CH) on the relationship between the Yugoslav construction industry and the Non-aligned Movement. She is a researcher for the project Curatorial Design: A place between and as a co-editor of the relational digital publication Total Reconstruction. She is the author of several books including Glotzt Nicht So Romantisch! On Extralegal Space in Belgrade (Jan van Eyck Academie, 2012), and most recently she collaborated with artist and filmmaker Ana Hušman on Don't Trace, Draw! (2020), a film that explored spatial legacy of the Yugoslav pedagogical reform.

Jennifer Hayashida

Jennifer Hayashida is a poet, translator, and artist, born 1973 in Oakland, California, today based in Gothenburg and New York. In 2018, she debuted with the poetry collection A Machine Wrote This Song (Gramma Poetry) and has translated poets including Athena Farrokhzad, Ida Börjel, and Burcu Sahin. Hayashida is since 2018 a doctoral researcher at Valand Academy, with the project Feeling Translation, which explores translation as scene and event in relation to race, the body, and the nation-state.

Nkule Mabaso

Nkule Mabaso is the director of Natal Collective an independent production company active internationally in the research and presentation of creative and cultural Africana contemporary art and politics. Forthcoming projects include producing the Gallery of Leaders exhibition for the Freedom Park Museum, Pretoria. Other recent projects include the curation, together with Nomusa Makhubu, of the South Africa Pavilion at the Venice Biennale Arte 2019 under the title The stronger we become. Nkule graduated with a Fine Arts degree from the University of Cape Town (UCT) in 2011 and received a Masters in Curating from the Zurich University of the Arts (ZHdK) in 2014. She is the former curator of the Michaelis Galleries at University of Cape Town (2015-2021). She has curated and organised exhibitions and public talks in Switzerland, Malawi, Tanzania, the Netherlands and South Africa. Nkule voluntarily serves on the advisory boards of VANSA, the Standard Bank Art Gallery in Johannesburg, The University of Cape Town Works of Art Committee, the Museum Services Board of the Western Cape Department of Cultural Affairs and Sport and is contributing editor to the Oncurating.org Journal at the ZHdK; an issue entitled “Decolonial Propositions”, edited together with Jyoti Mistry is forthcoming (April 2021). Nkule’s practice is collaborative with her research interests centering around theorizing and articulating nuanced aesthetic questions from the black female vantage point and she has made significant strides in national and international curatorial projects and has contributed to a number of prominent research publications on the subject.

Peggy Pierrot

Peggy Pierrot is an intellectual worker, teacher and independent researcher (on software, human sciences and popular cultures), writer, radio host living in Brussels, Belgium. She teaches media theory and speculative fiction at erg, école de recherche graphique and is co-editor of Curseurs, Numérique : repères critiques.

Ram Krishna Ranjan

Ram Krishna Ranjan (born 1985, India) is a practice-based researcher and visual artist and is currently doing his PhD in Artistic Research at HDK-Valand, University of Gothenburg. He works at the intersection of research, pedagogy and film practice. His educational background is in Economics, Media and Cultural Studies and Fine Art. His longstanding areas of interests are decolonial and postcolonial practices and the intersectionality of caste, class, and gender. Through his moving-images based practice, he tries to build conversations around place-specific issues of social, economic and political justice.