Biographies: Difference between revisions
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== Andrea Francke == | == Andrea Francke == | ||
Andrea is a Peruvian social practice artist based in London invested in invisibility, transparency, and developing administrative and pedagogical infrastructures as aesthetic strategies. Selected current projects include''Ten Texts on Sculpture'' (with Matthew de Kersaint Girardeau) podcasts series to explore reading with art students; ''FR&ND'', a platform for artists# board games (with Francis Patrick-Brady); Future of the Left (FOTL), exploring the political and aesthetic dimensions of administration and policy (with Ross Jardine). Past projects include The Piracy Project (with Eva Weinmayr) exploring book piracy, copying, and other reproduction techniques, ''Invisible Spaces of Parenthood'' (with Kim Dhillon). | Andrea is a Peruvian social practice artist based in London invested in invisibility, transparency, and developing administrative and pedagogical infrastructures as aesthetic strategies. Selected current projects include''Ten Texts on Sculpture'' (with Matthew de Kersaint Girardeau) podcasts series to explore reading with art students; ''FR&ND'', a platform for artists# board games (with Francis Patrick-Brady); ''Future of the Left'' (FOTL), exploring the political and aesthetic dimensions of administration and policy (with Ross Jardine). Past projects include ''The Piracy Project'' (with Eva Weinmayr) exploring book piracy, copying, and other reproduction techniques, ''Invisible Spaces of Parenthood'' (with Kim Dhillon). | ||
She currently works a Senior Lecturer at Chelsea College of Arts. Her work has been exhibited and supported by the Serpentine Gallery London, The Showroom London, Gasworks, South London Gallery, The Bluecoat Gallery Liverpool, Grand Union Birmingham, CCA Derry-Londonderry, Bisagra Lima-PE, Bar Project (Barcelona-SP), 221a Vancouver, Truth is Concrete Graz, Rum46 Aarhus, Bergen Kunsthall, and Munich Kunstverein, among others. | She currently works a Senior Lecturer at Chelsea College of Arts. Her work has been exhibited and supported by the Serpentine Gallery London, The Showroom London, Gasworks, South London Gallery, The Bluecoat Gallery Liverpool, Grand Union Birmingham, CCA Derry-Londonderry, Bisagra Lima-PE, Bar Project (Barcelona-SP), 221a Vancouver, Truth is Concrete Graz, Rum46 Aarhus, Bergen Kunsthall, and Munich Kunstverein, among others. |
Revision as of 05:11, 27 July 2024
Séverine Dusollier
Severine Dusollier is Professor of Intellectual Property in the Law School of Sciences Po Paris and holds a Senior Chair at the Institut Universitaire de France. She is the director of the law school research centre, member of its doctoral committee and the Head of the Master in Innovation Law. From 2014-2019, she was the holder of an ERC (European Research Council) research grant on commons and inclusivity in property. Her current research interests are digital issues of copyright, the concept of authorship, contractual protection of authors and perf
Marloes de Valk
Marloes de Valk (NL) is a software artist and writer in the post-despair stage of coping with the threat of global warming and being spied on by the devices surrounding her. Surprised by the obsessive dedication with which we, even post-Snowden, share intimate details about ourselves to an often not too clearly defined group of others, astounded by the deafening noise we generate while socializing with the technology around us, she is looking to better understand why.
She is a PhD researcher at the Centre for the Study of the Networked Image at London South Bank University, in collaboration with The Photographer's Gallery, looking into the material and social impact of the networked image on the climate crisis.
C. Thi Nguyen
Andrea Francke
Andrea is a Peruvian social practice artist based in London invested in invisibility, transparency, and developing administrative and pedagogical infrastructures as aesthetic strategies. Selected current projects includeTen Texts on Sculpture (with Matthew de Kersaint Girardeau) podcasts series to explore reading with art students; FR&ND, a platform for artists# board games (with Francis Patrick-Brady); Future of the Left (FOTL), exploring the political and aesthetic dimensions of administration and policy (with Ross Jardine). Past projects include The Piracy Project (with Eva Weinmayr) exploring book piracy, copying, and other reproduction techniques, Invisible Spaces of Parenthood (with Kim Dhillon).
She currently works a Senior Lecturer at Chelsea College of Arts. Her work has been exhibited and supported by the Serpentine Gallery London, The Showroom London, Gasworks, South London Gallery, The Bluecoat Gallery Liverpool, Grand Union Birmingham, CCA Derry-Londonderry, Bisagra Lima-PE, Bar Project (Barcelona-SP), 221a Vancouver, Truth is Concrete Graz, Rum46 Aarhus, Bergen Kunsthall, and Munich Kunstverein, among others.
Erri Ammonita
Cathryn Clasto
Dubravka Sekulić
Dubravka Sekulić is an architect, theorist and educator. Her research explores transformations of contemporary cities, at the nexus between the production of space, laws, and economy. She holds a PhD from gta the Institute for History and Theory of Architecture, ETH Zurich (CH) on the relationship between the Yugoslav construction industry and the Non-aligned Movement. She is a researcher for the project Curatorial Design: A place between and as a co-editor of the relational digital publication Total Reconstruction. She is the author of several books including Glotzt Nicht So Romantisch! On Extralegal Space in Belgrade (Jan van Eyck Academie, 2012), and most recently she collaborated with artist and filmmaker Ana Hušman on Don't Trace, Draw! (2020), a film that explored spatial legacy of the Yugoslav pedagogical reform.
Gary Hall
Constant
Jennifer Hayashida
Nkule Mabaso
Eva Weinmayr
Femke Snelting
Peggy Pierrot
Peggy Pierrot is an intellectual worker, teacher and independent researcher (on software, human sciences and popular cultures), writer, radio host living in Brussels, Belgium. She teaches media theory and speculative fiction at erg, école de recherche graphique and is co-editor of Curseurs, Numérique : repères critiques.