CC4r in use: Difference between revisions
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==Queer Motto API: https://gitlab.com/siusoon/queer-motto-api== | |||
==Publi Fluor: Letter business in Brussels, 2024 == | ==Publi Fluor: Letter business in Brussels, 2024 == | ||
Crickx Research group, Brussels: Surfaces Utiles | Crickx Research group, Brussels: Surfaces Utiles / [http://publifluor.osp.kitchen Website] | ||
== CUTE: Conditions d’Utilisations Typographiques Engageantes V.01, 2024== | == CUTE: Conditions d’Utilisations Typographiques Engageantes V.01, 2024== | ||
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A newspaper published in the context of transmediale, Berlin. Aarhus: Digital Aesthetics Research Centre, Aarhus University / [https://cc.vvvvvvaria.org/wiki/Content-Form Wiki] | A newspaper published in the context of transmediale, Berlin. Aarhus: Digital Aesthetics Research Centre, Aarhus University / [https://cc.vvvvvvaria.org/wiki/Content-Form Wiki] | ||
== | ==Techno-disobedience, 2024== | ||
Brussels: Constant | Brussels: Constant / [https://calibre.constantvzw.org/book/207 Download] | ||
==Ancho, 2024== | ==Ancho, 2024== | ||
Jara Rocha, Barcelona: Hamaca https://hamacaonline.net/ | Jara Rocha, Barcelona: Hamaca / [https://hamacaonline.net/media/publicacio/Ancho-ccguinardo.pdf Download] | ||
==Constant V, 2024== | ==Constant V, 2024== | ||
Catalogue 2019-2022, Brussels: Constant | Catalogue 2019-2022, Brussels: Constant / [https://calibre.constantvzw.org/read/192/pdf Download] | ||
== Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence, 2024 == | == Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence, 2024 == | ||
This is the opening paragraph of Gary Hall's forthcoming book (in 2024), submitted to Open Humanities Press's ''Media:Art:Write:Now'' series, edited by Joanna Zylinska, Coventry. | This is the opening paragraph of Gary Hall's forthcoming book (in 2024), submitted to Open Humanities Press's ''Media:Art:Write:Now'' series, edited by Joanna Zylinska, Coventry. / [http://www.openhumanitiespress.org/books/titles/masked-media/ Announcement] | ||
From the colophon: | From the colophon: | ||
| Line 28: | Line 28: | ||
</blockquote> | </blockquote> | ||
==Cypher Sex, “How to Cypher Sex: A Manual for Collective Digital Self-Defense Guides,” 2023== | ==Cypher Sex, “How to Cypher Sex: A Manual for Collective Digital Self-Defense Guides,” 2023== | ||
"a manual for collectively writing localized digital self-defense guides that advocates self-empowerment through the use of online | |||
identity management and other digital self-defense strategies." / [https://www.inventati.org/cyphersex/assets/pdf/CyperSex_HowTo.pdf Download] + [https://www.inventati.org/cyphersex/Howto_CypherSex/ Website] | |||
== Für Kundeliste bitte Milchkasten öffnen (For client list, please open the milk cabinet), 2023 == | == Für Kundeliste bitte Milchkasten öffnen (For client list, please open the milk cabinet), 2023 == | ||
Femke Snelting, Peter Westenberg. Part of the series "I have been charmed in the most unlikely places", self-published / [ | Femke Snelting, Peter Westenberg. Part of the series "I have been charmed in the most unlikely places", self-published / [http://www.videomagazijn.org/info/wp-content/uploads/zugzine4.pdf Download] | ||
== Plants by Numbers: Art, Computation, and Queer Feminist Technoscience, 2023 == | == Plants by Numbers: Art, Computation, and Queer Feminist Technoscience, 2023 == | ||
Double licensed under CC4R and Creative Commons Attribution 4.0 International. Jane Prophet, Helen Pritchard (ed). London, New York, Dublin: Bloomsbury Visual Arts / [ | Double licensed under CC4R and Creative Commons Attribution 4.0 International. Jane Prophet, Helen Pritchard (ed). London, New York, Dublin: Bloomsbury Visual Arts / [https://www.bloomsburycollections.com/monograph?docid=b-9781350351042 Download] | ||
==Trans*feminist Counter Cloud Action FAQ, 2023== | |||
Brussels: The Institute for Technology in the Public Interest / [https://titipi.org/pub/FAQ.pdf Download] | |||
== | == Potential Removal, 2023 == | ||
Peter Westenberg and Femke Snelting, Basel: TITiPI / [https://titipi.org/pub/potentialremoval/ Download] | Peter Westenberg and Femke Snelting, Basel: TITiPI / [https://titipi.org/pub/potentialremoval/ Download] | ||
== ATNOFS - A Traversal Network of Feminist Servers, 2022 == | |||
A publication collectively made with Wendy Van Wynsberghe, Vlad Dobrițoiu, Teo Săvoiu, Spideralex, Sergiu Nisioi, Roel Roscam Abbing, Reni Hofmüller, ooooo, Nina Botthof, Martino Morandi, Marloes de Valk, Mara Karagianni, Manetta Berends, Lídia Pereira, Julia Bande, Femke Snelting, elodie Mugrefya, Donatella Portoghese, Danae Tapia, Cristina Cochior, Azahara Cerezo, Aymeric Mansoux, Artemis Gryllaki, Aggeliki Diakrousi, Anca Bucur, amy pickles, Alice Strete, Alex Ștefănescu. | |||
Published by Varia, LURK, hypha, esc mkl, Feminist Hack Meetings, Constant / [https://hub.vvvvvvaria.org/rosa/ATNOFS/ Website] + [https://bleu255.com/~marloes/txts/ATNOFS/ATNOFS-screen.pdf Download] | |||
==Teaching to Transgress Toolbox, 2022== | ==Teaching to Transgress Toolbox, 2022== | ||
erg: Brussels, Göteborg: HDK-Valand / [ | erg: Brussels, Göteborg: HDK-Valand / [https://ttttoolbox.net/ Website] | ||
==SPLINT Cards, 2022== | ==SPLINT Cards, 2022== | ||
| Line 58: | Line 67: | ||
== Futurology of Cooperation, 2022 == | == Futurology of Cooperation, 2022 == | ||
A Czapski and D Peeters, Ghent, Brussels: KASK & Conservatorium, the School of Arts and Howest | A Czapski and D Peeters, Ghent, Brussels: KASK & Conservatorium, the School of Arts and Howest / [https://grimoire.futurology.be/ Website] | ||
==Reclaiming Digital Infrastructures== | ==Reclaiming Digital Infrastructures== | ||
| Line 64: | Line 73: | ||
== Vernaculars Come to Matter: (Re)Orienting Language and Technology, 2021 == | == Vernaculars Come to Matter: (Re)Orienting Language and Technology, 2021 == | ||
Cristina Cochior, Julie Boschat-Thorez, and Manetta Berends. Rotterdam: Everyday Technology Press | Cristina Cochior, Julie Boschat-Thorez, and Manetta Berends. Rotterdam: Everyday Technology Press / [https://vltk.vvvvvvaria.org/w/Category:Vernaculars-Come-To-Matter Wiki] | ||
== DiVersions V2, 2021== | == DiVersions V2, 2021== | ||
ed. Elodie Mugrefya and Femke Snelting. Rahel Aima et al., Brussels: Constant https://diversions.constantvzw.org/publication/diversions_v2.pdf+ | ed. Elodie Mugrefya and Femke Snelting. Rahel Aima et al., Brussels: Constant / [https://diversions.constantvzw.org/publication/diversions_v2.pdf+ PDF] + [https://diversions.constantvzw.org Wiki] | ||
== Noun to Verb, 2020 == | == Noun to Verb, 2020 == | ||
Eva Weinmayr. Noun to Verb: an investigation into the micro-politics of publishing through artistic practice. Göteborg: Art Monitor, HDK-Valand, Göteborg Universität | Eva Weinmayr. Noun to Verb: an investigation into the micro-politics of publishing through artistic practice. Göteborg: Art Monitor, HDK-Valand, Göteborg Universität / [https://cutt.ly/noun-to-verb Wiki] | ||
Latest revision as of 06:53, 27 April 2025
Queer Motto API: https://gitlab.com/siusoon/queer-motto-api
Publi Fluor: Letter business in Brussels, 2024
Crickx Research group, Brussels: Surfaces Utiles / Website
CUTE: Conditions d’Utilisations Typographiques Engageantes V.01, 2024
Bye Bye Binary (Ludi Loiseau. Eugénie Bidaut, Mariel Nils, Clara Sambot, Camille Circlude, Enz@ Le Garrec, Laure Giletti, Pierre Huyghebaert) / Download
Content/Form, A Peer-Reviewed Newspaper, 2024
A newspaper published in the context of transmediale, Berlin. Aarhus: Digital Aesthetics Research Centre, Aarhus University / Wiki
Techno-disobedience, 2024
Brussels: Constant / Download
Ancho, 2024
Jara Rocha, Barcelona: Hamaca / Download
Constant V, 2024
Catalogue 2019-2022, Brussels: Constant / Download
Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence, 2024
This is the opening paragraph of Gary Hall's forthcoming book (in 2024), submitted to Open Humanities Press's Media:Art:Write:Now series, edited by Joanna Zylinska, Coventry. / Announcement
From the colophon:
Masked Media is not a human-authored work. The thinking within it has been generated by an heterogenous assemblage of humans and nonhumans, including AI. As such, even though this book appears under the proper name ‘Gary Hall’, it is not the intellectual property of a single human individual. Masked Media is published under a Collective Conditions for Re-Use licence to reflect this, despite CC4r being on its own account perhaps too provisional to be considered an actual licence (Constant 2023). But then a work authored significantly by nonhumans is not eligible for copyright protection in most legal systems anyway.
Cypher Sex, “How to Cypher Sex: A Manual for Collective Digital Self-Defense Guides,” 2023
"a manual for collectively writing localized digital self-defense guides that advocates self-empowerment through the use of online identity management and other digital self-defense strategies." / Download + Website
Für Kundeliste bitte Milchkasten öffnen (For client list, please open the milk cabinet), 2023
Femke Snelting, Peter Westenberg. Part of the series "I have been charmed in the most unlikely places", self-published / Download
Plants by Numbers: Art, Computation, and Queer Feminist Technoscience, 2023
Double licensed under CC4R and Creative Commons Attribution 4.0 International. Jane Prophet, Helen Pritchard (ed). London, New York, Dublin: Bloomsbury Visual Arts / Download
Trans*feminist Counter Cloud Action FAQ, 2023
Brussels: The Institute for Technology in the Public Interest / Download
Potential Removal, 2023
Peter Westenberg and Femke Snelting, Basel: TITiPI / Download
ATNOFS - A Traversal Network of Feminist Servers, 2022
A publication collectively made with Wendy Van Wynsberghe, Vlad Dobrițoiu, Teo Săvoiu, Spideralex, Sergiu Nisioi, Roel Roscam Abbing, Reni Hofmüller, ooooo, Nina Botthof, Martino Morandi, Marloes de Valk, Mara Karagianni, Manetta Berends, Lídia Pereira, Julia Bande, Femke Snelting, elodie Mugrefya, Donatella Portoghese, Danae Tapia, Cristina Cochior, Azahara Cerezo, Aymeric Mansoux, Artemis Gryllaki, Aggeliki Diakrousi, Anca Bucur, amy pickles, Alice Strete, Alex Ștefănescu.
Published by Varia, LURK, hypha, esc mkl, Feminist Hack Meetings, Constant / Website + Download
Teaching to Transgress Toolbox, 2022
erg: Brussels, Göteborg: HDK-Valand / Website
SPLINT Cards, 2022
Version 1.1. Brussels: Constant / Download
Port-Miou, terre d'extractions, 2022
Enquete sur les traces et les devenirs d'une carrière, Livia Cahn, Élise Debouny, Noémie Pons-Rotbardt. Brussels: Hors-Norme
Volumetric Regimes: Material Cultures of Quantified Presence, 2022
Possible Bodies ed., London: Open Humanities Press / Download + Wiki
Futurology of Cooperation, 2022
A Czapski and D Peeters, Ghent, Brussels: KASK & Conservatorium, the School of Arts and Howest / Website
Reclaiming Digital Infrastructures
Femke Snelting, Peter Westenberg (ed.). Part of Peter Westenberg's project at KASK, Ghent "Reclaiming the school"
Vernaculars Come to Matter: (Re)Orienting Language and Technology, 2021
Cristina Cochior, Julie Boschat-Thorez, and Manetta Berends. Rotterdam: Everyday Technology Press / Wiki
DiVersions V2, 2021
ed. Elodie Mugrefya and Femke Snelting. Rahel Aima et al., Brussels: Constant / PDF + Wiki
Noun to Verb, 2020
Eva Weinmayr. Noun to Verb: an investigation into the micro-politics of publishing through artistic practice. Göteborg: Art Monitor, HDK-Valand, Göteborg Universität / Wiki
