Reused Resources

Acker, Kathy (1995). Writing, Identity, and Copyright in the Net Age. The Journal of the Midwest Modern Language Association, Vol. 28, No. 1, Identities (Spring, 1995), pp. 93-98.

Adema, Janneke, & Moore, Samuel. A. (2021). Scaling Small; Or How to Envision New Relationalities for Knowledge Production. Westminster Papers in Communication and Culture, 16(1), 27–45. DOI: https://doi.org/10.16997/wpcc.918

Adema, Janneke & Moore Samuel (2018) Collectivity and collaboration: Imagining new forms of communality to create resilience in scholar-led publishing. Insights, 31. DOI: https://doi. org/10.1629/uksg.399

Adema, J. & Moore, S. (2017). The Radical Open Access Collective: Building alliances for a progressive, scholar-led commons. LSE Impact Blog, 27 October. Available at: http:// blogs.lse.ac.uk/impactofsocialsciences/2017/10/27/the-radical-open-access-collectivebuilding- alliances-for-a-progressive-scholar-led-commons

Barad, Karen (2014) "Diffracting Diffraction: Cutting Together-Apart". Parallax, 20:3, (2014): 168–87. https://doi.org/10.1080/13534645.2014.927623.

Berlant, Lauren. ‘Intimacy: A Special Issue’. Critical Inquiry 24, no. 2 (1998): 281–88

Berlant, Lauren G. (2022) On the inconvenience of other people. Durham: Duke University Press

Carr, CJ and Zack Zukowski (2018) 'Generating Albums with SampleRNN to Imitate Metal, Rock, and Punk Bands', Self-published.

Chan, L., Okune A., Hillyer B., Albornoz D., & Posada, A. (eds) (2019) Contextualizing Openness: situating open science, Ottawa: University of Ottawa Press. https://idrc-crdi.ca/en/book/contextualizing-openness-situating-open-science Ferreira da Silva, Denise (2007) Toward a Global Idea of Race, Minneapolis: University of Minnesota Press.

Creative Commons (2023). ‘About CC Licenses’. Creative Commons (website), https://creativecommons.org/share-your-work/cclicenses/

CUTE

Dadabots, FAQ of the website dadabots.com, accessed 2024.

Dusollier,Séverine (2006). The Master’s Tools v. The Master’s House: Creative Commons v. Copyright. Columbia Journal of Law & Arts, 2006, vol. 29, p.271-293.

Francke, A. and de Kersaint Giraudeau, M. (2016) Bad Vibes Club at CCA - The Rise of the Awkward Turtle. Available at: https://soundcloud.com/ccaderrylondonderry/bad-vibes-club-at-cca-the-rise-of-the-awkward-turtle (Accessed: 8 April 2024).

Free Art Licence (2008), https://artlibre.org/

Groys, B. (2014) ‘On Art Activism - Journal #56’, e-flux Journal [Preprint], (56). Available at: https://www.e-flux.com/journal/56/60343/on-art-activism/ (Accessed: 19 February 2024).

Hall, Gary (2024) "The Pluriversal Politics of Radical Publishing's Scaling Small". http://www.garyhall.info/journal/2024/10/18/the-pluriversal-politics-of-radical-publishings-scaling-smal.html

Hall, Gary (2023) 'Experimenting with Copyright Licences'. Copim. https://copim.pubpub.org/pub/combinatorial-books-documentation-copyright-licences-post6

Hyesoon, Kim (2018) Autobiography of Death, English translation by Don Mee Choi, New York City: New Directins; Autobiografi av död (2022) Swedish translation by Jennifer Hayashida and Andjeas Ejiksson, Stockholm: 20TAL Bok.

Inness, J.C. (1996) Privacy, Intimacy, and Isolation. Oxford, New York: Oxford University Press.

Kember, Sarah (2024) "Householding" in Culture Machine journal Vol. 23 “Publishing after Progress” edited by Rebekka Kiesewetter. https://culturemachine.net/vol-23-publishing-after-progress/kember-householding/

Kember, Sarah (2020) “Distributed Open Collaborative Scholarship”, in The Knowledge Futures Commonplace, March 15, 2020. DOI: 10.21428/6 d8432.fdf89d72

Kiesewetter, Rebekka (2020). A New Genealogy for Critical OA Publishing: Towards a Politics of Intersectional Transnationality. Journal of International Women's Studies, 21(7), 61-76. Available at: https://vc.bridgew.edu/jiws/vol21/iss7/6

Kiesewetter, Rebekka (2023) Reading Differently Expanding Open Access Definitions Towards Greater Knowledge Equity, doctoral thesis. Coventry University. https://pureportal.coventry.ac.uk/files/78391764/ReadingDifferently_Final_RebekkaKiesewetter_lib_1_.pdf

Kirchenbauer, Vika (2022) 'Complicating Critique', in Works, Scripts, Essays 2012-2022, Mila: Mousse Publishing.

Lugones, Maria (2010) ‘Toward a Decolonial Feminism’, Hypatia, Vol. 25, No. 4 (FALL 2010): 742-759.

Mansoux, Aymeric (2012) “How Deep is Your Source,” in Digital Art Conservation, Preservation of Digital Art: Theory and Practice, ed. Bernhard Serexhe, Karlsruhe: ZKM. And accessible here: https://archive.bleu255.com/bleu255.com-texts/how-deep-is-your-source/

Matos, Michaelangelo (2007) 'All Roads Lead to "Apache"', in Listen Again: A Momentary History of Pop Music, Durham and London: Duke University Press.

McBride, Sindi-Leigh & Rensing, Julia (2023) Lost Libraries, Burnt Archives edited by , Cape Town: Michaelis Galleries University of Cape Town

McCutcheon, Mark A. (2007) 'Techno, Frankenstein and Copyright', in Popular Music, Volume 26/2, Cmbridge: Cambridge University Press.

McKittrick, Katherine (2021) Dear Science and Other Stories, Durham & London: Duke University Press.

Mingus, Mia (2011) ‘Access Intimacy: The Missing Link’, Leaving Evidence, 5 May. Available at: https://leavingevidence.wordpress.com/2011/05/05/access-intimacy-the-missing-link/ (Accessed: 19 February 2024).

Mingus, Mia (2017) ‘Access Intimacy, Interdependence and Disability Justice’, Leaving Evidence, 12 April. Available at: https://leavingevidence.wordpress.com/2017/04/12/access-intimacy-interdependence-and-disability-justice/ (Accessed: 19 February 2024).

Mol, Annemarie (2008) The logic of care: health and the problem of patient choice, London: Routledge.

Mugrefya, Élodie & Snelting, Femke (2022) “Collectively Setting Conditions for Re-Use.” MARCH International.

Nguyen, Thi C. & Strohl, Matthew (2019) ‘Cultural Appropriation and the Intimacy of Groups’. Philosophical Studies 176, no. 4 (1 April 2019): 981–1002.

Ratti, Carlo, and Matthew Claudel (2015). Open Source Architecture. London: Thames & Hudson.

Rivera Garza, Cristina (2020) The Restless Dead: Necrowriting and Disappropriation. Tennessee: Vanderbilt University Press.

Snelting, Femke & Weinmayr, Eva (2024) “Committing to decolonial feminist practices of reuse”. In “Publishing After Progress” edited by Rebekka Kiesewetter, culture machine journal of culture and theory vol. 23.https://culturemachine.net/wp-content/uploads/2024/10/CM23_Snelting_Weinmayr_Reuse.pdf

Weinmayr, Eva (2020) Noun to Verb: an investigation of the micro-politics of publishing through artistic practice, PhD thesis, Gothenburg: HDK-Valand, Art Monitor. https://cutt.ly/noun-to-verb