Reused Resources: Difference between revisions
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Ferreira da Silva, Denise (2007) Toward a Global Idea of Race, Minneapolis: University of Minnesota Press. | |||
McKittrick, Katherine (2021) Dear Science and Other Stories, Durham & London: Duke University Press. | |||
Mugrefya, Élodie & Snelting, Femke (2022) [https://march.international/collectively-setting-conditions-for-re-use/ “Collectively Setting Conditions for Re-Use.”] MARCH International. | |||
Nguyen, Thi C. & Strohl, Matthew (2019) ‘Cultural Appropriation and the Intimacy of Groups’. Philosophical Studies 176, no. 4 (1 April 2019): 981–1002. | |||
Rivera Garza, Cristina (2020) ''The Restless Dead: Necrowriting and Disappropriation''. Tennessee: Vanderbilt University Press. | |||
Snelting, Femke & Weinmayr, Eva (2024), “Committing to decolonial feminist practices of reuse”. In “Publishing After Progress” edited by Rebekka Kiesewetter, ''culture machine journal of culture and theory'' vol. 23. | |||
Revision as of 12:46, 10 February 2025
Ferreira da Silva, Denise (2007) Toward a Global Idea of Race, Minneapolis: University of Minnesota Press.
McKittrick, Katherine (2021) Dear Science and Other Stories, Durham & London: Duke University Press.
Mugrefya, Élodie & Snelting, Femke (2022) “Collectively Setting Conditions for Re-Use.” MARCH International.
Nguyen, Thi C. & Strohl, Matthew (2019) ‘Cultural Appropriation and the Intimacy of Groups’. Philosophical Studies 176, no. 4 (1 April 2019): 981–1002.
Rivera Garza, Cristina (2020) The Restless Dead: Necrowriting and Disappropriation. Tennessee: Vanderbilt University Press.
Snelting, Femke & Weinmayr, Eva (2024), “Committing to decolonial feminist practices of reuse”. In “Publishing After Progress” edited by Rebekka Kiesewetter, culture machine journal of culture and theory vol. 23.
