Prompt 13: CUTE - examples: Difference between revisions

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The CUTE, “Conditions d'utilisations typographiques engageantes” (engaging typographic conditions for use) were developed between 2022 and 2024 by '''Bye Bye Binary'''. The Franco-Belgian collective is invested in proliferating a specific post-binary typographic practice. The CUTE stipulates under which conditions the fonts can be used and modified. CUTE sparked two prompts (see Prompt 01 and 02) and '''Bye Bye Binary''' sent later a third one.
The CUTE, “Conditions d'utilisations typographiques engageantes” (engaging typographic conditions for use) were developed between 2022 and 2024 by '''Bye Bye Binary'''. The Franco-Belgian collective is invested in proliferating a specific post-binary typographic practice. The CUTE stipulates under which conditions the fonts can be used and modified. CUTE sparked two prompts (see [[Prompt_01:_CUTE_-_donations|Prompt 01]] and [[Prompt_02:_CUTE - packets|Prompt 02]]). '''Bye Bye Binary''' sent a third one.
 
<small>Text CUTE : Bye Bye Binary (Ludi Loiseau, Eugénie Bidaut, Mariel Nils, Clara Sambot, Camille Circlude, Enz@ Le Garrec, Laure Giletti, Pierre Huyghebaert), along with Femke
Snelting | Licence : CC4r | Layout: Laure Giletti, after the layout of the complete CUTE text by Camille Circlude | Fonts: BBB Karrik by Clara Sambot & Quentin Lamouroux, Jean-Baptiste Morizot
& Lucas Le Bihan; Crozette by Thaïs Cuny; Dreamhearts by Maqsum Kamil Shiddiq, Homoneta by Quentin Lamouroux; UnormativeFraktur by Léna Salabert & Laura Conant; Gabby Julie Lemoine; BBB Herthey
Futural by Laure Giletti & Clara Sambot, Paul Bernhard, Luuse, Allen Vincent Hershey | Icons : by Royyan Wijaya, Noun Project CC BY 3.0 License.</small>


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During the process of writing CUTE, Bye Bye Binary did several reading sessions of the CC4r. They were inspired by "emancipatory" perspective. But some members felt that it was sometimes too opaque and that more people could access the CC4r if it was more promptly understandable.
During the process of writing CUTE, Bye Bye Binary did several reading sessions of the CC4r. They were inspired by its paradigmatic shift on free licenses and its intersectional perspective. But some members found the language sometimes opaque, and believe that more people could learn from and use the CC4r if its wording was more accessible.


Could the CC4r text become more accessible and instructive without giving up on complexity? I CUTE we decided to include examples to be less abstract. Could this work for CC4r as well?
How could the language of CC4r become more accessible and instructive without giving up on complexity? In the CUTE we decided to include examples to help with that. Could this work for CC4r too?
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Revision as of 11:04, 29 April 2024

The CUTE, “Conditions d'utilisations typographiques engageantes” (engaging typographic conditions for use) were developed between 2022 and 2024 by Bye Bye Binary. The Franco-Belgian collective is invested in proliferating a specific post-binary typographic practice. The CUTE stipulates under which conditions the fonts can be used and modified. CUTE sparked two prompts (see Prompt 01 and Prompt 02). Bye Bye Binary sent a third one.

Text CUTE : Bye Bye Binary (Ludi Loiseau, Eugénie Bidaut, Mariel Nils, Clara Sambot, Camille Circlude, Enz@ Le Garrec, Laure Giletti, Pierre Huyghebaert), along with Femke Snelting | Licence : CC4r | Layout: Laure Giletti, after the layout of the complete CUTE text by Camille Circlude | Fonts: BBB Karrik by Clara Sambot & Quentin Lamouroux, Jean-Baptiste Morizot & Lucas Le Bihan; Crozette by Thaïs Cuny; Dreamhearts by Maqsum Kamil Shiddiq, Homoneta by Quentin Lamouroux; UnormativeFraktur by Léna Salabert & Laura Conant; Gabby Julie Lemoine; BBB Herthey Futural by Laure Giletti & Clara Sambot, Paul Bernhard, Luuse, Allen Vincent Hershey | Icons : by Royyan Wijaya, Noun Project CC BY 3.0 License.

During the process of writing CUTE, Bye Bye Binary did several reading sessions of the CC4r. They were inspired by its paradigmatic shift on free licenses and its intersectional perspective. But some members found the language sometimes opaque, and believe that more people could learn from and use the CC4r if its wording was more accessible.

How could the language of CC4r become more accessible and instructive without giving up on complexity? In the CUTE we decided to include examples to help with that. Could this work for CC4r too?