Reused Resources: Difference between revisions
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== Ecologies of Dissemination: Reused Resources == | |||
'''An alphabetic index of all articles, books, documents, podcasts appearing in this issue of PARSE.''' | |||
Acker, Kathy (1995). Writing, Identity, and Copyright in the Net Age. The Journal of the Midwest Modern Language Association, Vol. 28, No. 1, Identities (Spring, 1995), pp. 93-98. | Acker, Kathy (1995). Writing, Identity, and Copyright in the Net Age. The Journal of the Midwest Modern Language Association, Vol. 28, No. 1, Identities (Spring, 1995), pp. 93-98. | ||
| Line 4: | Line 8: | ||
Adema, Janneke & Moore Samuel (2018) Collectivity and collaboration: Imagining new forms of | Adema, Janneke & Moore Samuel (2018) Collectivity and collaboration: Imagining new forms of | ||
communality to create resilience in scholar-led publishing. Insights, 31. DOI: https://doi. | communality to create resilience in scholar-led publishing. Insights, 31. DOI: https://doi.org/10.1629/uksg.399 | ||
org/10.1629/uksg.399 | |||
Adema, J. & Moore, S. (2017). The Radical Open Access Collective: Building alliances for | Adema, J. & Moore, S. (2017). The Radical Open Access Collective: Building alliances for | ||
a progressive, scholar-led commons. LSE Impact Blog, 27 October. | a progressive, scholar-led commons. LSE Impact Blog, 27 October. https://blogs.lse.ac.uk/impactofsocialsciences/2017/10/27/the-radical-open-access-collective-building-alliances-for-a-progressive-scholar-led-commons/ | ||
blogs.lse.ac.uk/impactofsocialsciences/2017/10/27/the-radical-open-access- | |||
alliances-for-a-progressive-scholar-led-commons | |||
Barad, Karen (2014) "Diffracting Diffraction: Cutting Together-Apart". ''Parallax'', 20:3, (2014): 168–87. https://doi.org/10.1080/13534645.2014.927623. | Barad, Karen (2014) "Diffracting Diffraction: Cutting Together-Apart". ''Parallax'', 20:3, (2014): 168–87. DOI: https://doi.org/10.1080/13534645.2014.927623. | ||
Berlant, Lauren. ‘Intimacy: A Special Issue’. Critical Inquiry 24, no. 2 (1998): 281–88 | Berlant, Lauren. ‘Intimacy: A Special Issue’. Critical Inquiry 24, no. 2 (1998): 281–88 | ||
Berlant, Lauren G. (2022) On the inconvenience of other people. Durham: Duke University Press | Berlant, Lauren G. (2022) On the inconvenience of other people. Durham: Duke University Press | ||
Bye Bye Binary (2024) ‘Conditions for Engaging Typographic Use (CUTE)’. https://genderfluid.space/documents/2024_BBB_CUTE-EN.pdf. | |||
Carr, CJ and Zack Zukowski (2018) 'Generating Albums with SampleRNN to Imitate Metal, Rock, and Punk Bands', Self-published. | Carr, CJ and Zack Zukowski (2018) 'Generating Albums with SampleRNN to Imitate Metal, Rock, and Punk Bands', Self-published. | ||
CC4r * Collective Conditions for Re-Use (2019). https://constantvzw.org/wefts/cc4r.en.html (Accessed: 23 February 2025). | |||
Chan, L., Okune A., Hillyer B., Albornoz D., & Posada, A. (eds) (2019) Contextualizing Openness: situating open science, Ottawa: University of Ottawa Press. https://idrc-crdi.ca/en/book/contextualizing-openness-situating-open-science | Chan, L., Okune A., Hillyer B., Albornoz D., & Posada, A. (eds) (2019) Contextualizing Openness: situating open science, Ottawa: University of Ottawa Press. https://idrc-crdi.ca/en/book/contextualizing-openness-situating-open-science | ||
Ferreira da Silva, Denise (2007) Toward a Global Idea of Race, Minneapolis: University of Minnesota Press. | Ferreira da Silva, Denise (2007) Toward a Global Idea of Race, Minneapolis: University of Minnesota Press. | ||
Creative Commons (2023). ‘About CC Licenses’. Creative Commons (website), https://creativecommons.org/share-your-work/cclicenses/ | Creative Commons (2023). ‘About CC Licenses’. Creative Commons (website), https://creativecommons.org/share-your-work/cclicenses/ | ||
‘Copy Far “AI”’ (2023). https://copyfarai.itcouldbewor.se/ (Accessed: 23 February 2025). | |||
Dadabots, FAQ of the website dadabots.com, accessed 2024. | Dadabots, FAQ of the website dadabots.com, accessed 2024. | ||
Dilan U+16DE (2024) Bewitching Technologies. https://bewitchingtechnologies.link/. | |||
Dusollier, Séverine (2006). The Master’s Tools v. The Master’s House: Creative Commons v. Copyright. Columbia Journal of Law & Arts, 2006, vol. 29, p.271-293. | |||
Groys, B. (2014) ‘On Art Activism - Journal #56’, e-flux Journal [Preprint], (56). | Énard, M. (2023) The annual banquet of the gravediggers’ guild. Translated by F. Wynne. London: Fitzcarraldo Editions. | ||
Francke, A. and de Kersaint Giraudeau, M. (2016) Bad Vibes Club at CCA - The Rise of the Awkward Turtle. https://soundcloud.com/ccaderrylondonderry/bad-vibes-club-at-cca-the-rise-of-the-awkward-turtle (Accessed: 8 April 2024). | |||
Free Art Licence (2008), https://artlibre.org/ | |||
G.B. Jones (2022). Toronto: Kunstverein Toronto. | |||
Groys, B. (2014) ‘On Art Activism - Journal #56’, e-flux Journal [Preprint], (56). https://www.e-flux.com/journal/56/60343/on-art-activism/ (Accessed: 19 February 2024). | |||
Hall, Gary (2024) "The Pluriversal Politics of Radical Publishing's Scaling Small". http://www.garyhall.info/journal/2024/10/18/the-pluriversal-politics-of-radical-publishings-scaling-smal.html | Hall, Gary (2024) "The Pluriversal Politics of Radical Publishing's Scaling Small". http://www.garyhall.info/journal/2024/10/18/the-pluriversal-politics-of-radical-publishings-scaling-smal.html | ||
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Hall, Gary (2023) 'Experimenting with Copyright Licences'. Copim. https://copim.pubpub.org/pub/combinatorial-books-documentation-copyright-licences-post6 | Hall, Gary (2023) 'Experimenting with Copyright Licences'. Copim. https://copim.pubpub.org/pub/combinatorial-books-documentation-copyright-licences-post6 | ||
Hyesoon, Kim (2018) ''Autobiography of Death'', English translation by Don Mee Choi, New York City: New | Hyesoon, Kim (2018) ''Autobiography of Death'', English translation by Don Mee Choi, New York City: New Directions; ''Autobiografi av död'' (2022) Swedish translation by Jennifer Hayashida and Andjeas Ejiksson, Stockholm: 20TAL Bok. | ||
Inness, J.C. (1996) ''Privacy, Intimacy, and Isolation''. Oxford, New York: Oxford University Press. | Inness, J.C. (1996) ''Privacy, Intimacy, and Isolation''. Oxford, New York: Oxford University Press. | ||
Keenan, Sarah (2014) Subversive Property: Law and the Production of Spaces of Belonging. Routledge. | |||
Kember, Sarah (2024) "Householding" in ''Culture Machine'' journal Vol. 23 “Publishing after Progress” edited by Rebekka Kiesewetter. https://culturemachine.net/vol-23-publishing-after-progress/kember-householding/ | Kember, Sarah (2024) "Householding" in ''Culture Machine'' journal Vol. 23 “Publishing after Progress” edited by Rebekka Kiesewetter. https://culturemachine.net/vol-23-publishing-after-progress/kember-householding/ | ||
| Line 45: | Line 63: | ||
Kember, Sarah (2020) “Distributed Open Collaborative Scholarship”, in The Knowledge Futures Commonplace, March 15, 2020. DOI: 10.21428/6 d8432.fdf89d72 | Kember, Sarah (2020) “Distributed Open Collaborative Scholarship”, in The Knowledge Futures Commonplace, March 15, 2020. DOI: 10.21428/6 d8432.fdf89d72 | ||
Kiesewetter, Rebekka (2020). A New Genealogy for Critical OA Publishing: Towards a Politics of Intersectional Transnationality. Journal of International Women's Studies, 21(7), 61-76. | Kiesewetter, Rebekka (2020). A New Genealogy for Critical OA Publishing: Towards a Politics of Intersectional Transnationality. Journal of International Women's Studies, 21(7), 61-76. https://vc.bridgew.edu/jiws/vol21/iss7/6 | ||
Kiesewetter, Rebekka (2023) Reading Differently Expanding Open Access Definitions Towards Greater Knowledge Equity, doctoral thesis. Coventry University. https://pureportal.coventry.ac.uk/files/78391764/ReadingDifferently_Final_RebekkaKiesewetter_lib_1_.pdf | Kiesewetter, Rebekka (2023) Reading Differently Expanding Open Access Definitions Towards Greater Knowledge Equity, doctoral thesis. Coventry University. https://pureportal.coventry.ac.uk/files/78391764/ReadingDifferently_Final_RebekkaKiesewetter_lib_1_.pdf | ||
| Line 57: | Line 75: | ||
Matos, Michaelangelo (2007) 'All Roads Lead to "Apache"', in ''Listen Again: A Momentary History of Pop Music'', Durham and London: Duke University Press. | Matos, Michaelangelo (2007) 'All Roads Lead to "Apache"', in ''Listen Again: A Momentary History of Pop Music'', Durham and London: Duke University Press. | ||
McBride, Sindi-Leigh & Rensing, Julia (2023) ''Lost Libraries, Burnt Archives'' | McBride, Sindi-Leigh & Rensing, Julia (eds) (2023) ''Lost Libraries, Burnt Archives''. Cape Town: Michaelis Galleries. | ||
McCutcheon, Mark A. (2007) 'Techno, Frankenstein and Copyright', in ''Popular Music'', Volume 26/2, Cmbridge: Cambridge University Press. | McCutcheon, Mark A. (2007) 'Techno, Frankenstein and Copyright', in ''Popular Music'', Volume 26/2, Cmbridge: Cambridge University Press. | ||
| Line 63: | Line 81: | ||
McKittrick, Katherine (2021) Dear Science and Other Stories, Durham & London: Duke University Press. | McKittrick, Katherine (2021) Dear Science and Other Stories, Durham & London: Duke University Press. | ||
Mingus, Mia (2011) ‘Access Intimacy: The Missing Link’, Leaving Evidence, 5 May. | Mingus, Mia (2011) ‘Access Intimacy: The Missing Link’, Leaving Evidence, 5 May. https://leavingevidence.wordpress.com/2011/05/05/access-intimacy-the-missing-link/ (Accessed: 19 February 2024). | ||
Mingus, Mia (2017) ‘Access Intimacy, Interdependence and Disability Justice’, Leaving Evidence, 12 April. | Mingus, Mia (2017) ‘Access Intimacy, Interdependence and Disability Justice’, Leaving Evidence, 12 April. https://leavingevidence.wordpress.com/2017/04/12/access-intimacy-interdependence-and-disability-justice/ (Accessed: 19 February 2024). | ||
Mol, Annemarie (2008) ''The logic of care: health and the problem of patient choice'', London: Routledge. | Mol, Annemarie (2008) ''The logic of care: health and the problem of patient choice'', London: Routledge. | ||
Mugrefya, Élodie & Snelting, Femke (2022) [https://march.international/collectively-setting-conditions-for-re-use/ “Collectively Setting Conditions for Re-Use.”] MARCH International. | Mugrefya, Élodie & Snelting, Femke (2022) [https://march.international/collectively-setting-conditions-for-re-use/ “Collectively Setting Conditions for Re-Use.”] MARCH International. | ||
‘Mukurtu CMS’ (no date). https://mukurtu.org/ (Accessed: 23 February 2025). | |||
Nguyen, Thi C. & Strohl, Matthew (2019) ‘Cultural Appropriation and the Intimacy of Groups’. Philosophical Studies 176, no. 4 (1 April 2019): 981–1002. | Nguyen, Thi C. & Strohl, Matthew (2019) ‘Cultural Appropriation and the Intimacy of Groups’. Philosophical Studies 176, no. 4 (1 April 2019): 981–1002. | ||
Nonviolent Public Licenses (no date). https://thufie.lain.haus/NPL.html (Accessed: 23 February 2025). | |||
Oakly, Be (no date) Protest fonts. https://genderfailpress.info/PROTEST-FONTS. | |||
Okune, Angela (2019) Self-Review of Citational Practice. DOI: https://doi.org/10.5281/zenodo.3066861. | |||
Open Source Publishing (OSP) (2024) ‘Collaboration Agreement’. https://collaboration.osp.kitchen (Accessed: 23 February 2025). | |||
Paul, Elsie (2018) As I Remember It: Teachings (Ɂəms tɑɁɑw) from the Life of a Sliammon Elder. https://scalar.usc.edu/ravenspace/as-i-remember-it/index. | |||
‘Paul Otlet, an Omissum’ (2019). Mondotheque, Algolit. https://diversions.constantvzw.org/paul-otlet-an-omissum.html (Accessed: 23 February 2025). | |||
Ratti, Carlo, and Matthew Claudel (2015). ''Open Source Architecture''. London: Thames & Hudson. | Ratti, Carlo, and Matthew Claudel (2015). ''Open Source Architecture''. London: Thames & Hudson. | ||
| Line 78: | Line 110: | ||
Snelting, Femke & Weinmayr, Eva (2024) “Committing to decolonial feminist practices of reuse”. In “Publishing After Progress” edited by Rebekka Kiesewetter, ''culture machine journal of culture and theory'' vol. 23.https://culturemachine.net/wp-content/uploads/2024/10/CM23_Snelting_Weinmayr_Reuse.pdf | Snelting, Femke & Weinmayr, Eva (2024) “Committing to decolonial feminist practices of reuse”. In “Publishing After Progress” edited by Rebekka Kiesewetter, ''culture machine journal of culture and theory'' vol. 23.https://culturemachine.net/wp-content/uploads/2024/10/CM23_Snelting_Weinmayr_Reuse.pdf | ||
Soon, W. and Lee, T.T. (2022) How to buy/own/mint one milliliter of the ocean from the South China sea. DOI: https://dl.acm.org/doi/10.1145/3543624 (Accessed: 23 February 2025). | |||
‘The Anti-Capitalist Software License’ (no date). https://anticapitalist.software/ (Accessed: 23 February 2025). | |||
‘Traditional Knowledge Research Guidelines A Guide for Researchers in the Yukon’ (2000). The Council of Yukon First Nations. https://ethicshub.ca/tool/traditional-knowledge-research-guidelines-a-guide-for-researchers-in-the-yukon/ (Accessed: 23 February 2025). | |||
Vanuxem, Sarah (2020) ''Des choses de la nature et de leurs droits''. Versailles: Librairie Quae. https://www.quae.com/product/1662/9782759232376/elements-of-nature-and-their-rights. | |||
Weinmayr, Eva (2020) ''Noun to Verb: an investigation of the micro-politics of publishing through artistic practice'', PhD thesis, Gothenburg: HDK-Valand, Art Monitor. https://cutt.ly/noun-to-verb | Weinmayr, Eva (2020) ''Noun to Verb: an investigation of the micro-politics of publishing through artistic practice'', PhD thesis, Gothenburg: HDK-Valand, Art Monitor. https://cutt.ly/noun-to-verb | ||
Latest revision as of 15:30, 23 February 2025
Ecologies of Dissemination: Reused Resources
An alphabetic index of all articles, books, documents, podcasts appearing in this issue of PARSE.
Acker, Kathy (1995). Writing, Identity, and Copyright in the Net Age. The Journal of the Midwest Modern Language Association, Vol. 28, No. 1, Identities (Spring, 1995), pp. 93-98.
Adema, Janneke, & Moore, Samuel. A. (2021). Scaling Small; Or How to Envision New Relationalities for Knowledge Production. Westminster Papers in Communication and Culture, 16(1), 27–45. DOI: https://doi.org/10.16997/wpcc.918
Adema, Janneke & Moore Samuel (2018) Collectivity and collaboration: Imagining new forms of communality to create resilience in scholar-led publishing. Insights, 31. DOI: https://doi.org/10.1629/uksg.399
Adema, J. & Moore, S. (2017). The Radical Open Access Collective: Building alliances for a progressive, scholar-led commons. LSE Impact Blog, 27 October. https://blogs.lse.ac.uk/impactofsocialsciences/2017/10/27/the-radical-open-access-collective-building-alliances-for-a-progressive-scholar-led-commons/
Barad, Karen (2014) "Diffracting Diffraction: Cutting Together-Apart". Parallax, 20:3, (2014): 168–87. DOI: https://doi.org/10.1080/13534645.2014.927623.
Berlant, Lauren. ‘Intimacy: A Special Issue’. Critical Inquiry 24, no. 2 (1998): 281–88
Berlant, Lauren G. (2022) On the inconvenience of other people. Durham: Duke University Press
Bye Bye Binary (2024) ‘Conditions for Engaging Typographic Use (CUTE)’. https://genderfluid.space/documents/2024_BBB_CUTE-EN.pdf.
Carr, CJ and Zack Zukowski (2018) 'Generating Albums with SampleRNN to Imitate Metal, Rock, and Punk Bands', Self-published.
CC4r * Collective Conditions for Re-Use (2019). https://constantvzw.org/wefts/cc4r.en.html (Accessed: 23 February 2025).
Chan, L., Okune A., Hillyer B., Albornoz D., & Posada, A. (eds) (2019) Contextualizing Openness: situating open science, Ottawa: University of Ottawa Press. https://idrc-crdi.ca/en/book/contextualizing-openness-situating-open-science
Ferreira da Silva, Denise (2007) Toward a Global Idea of Race, Minneapolis: University of Minnesota Press.
Creative Commons (2023). ‘About CC Licenses’. Creative Commons (website), https://creativecommons.org/share-your-work/cclicenses/
‘Copy Far “AI”’ (2023). https://copyfarai.itcouldbewor.se/ (Accessed: 23 February 2025).
Dadabots, FAQ of the website dadabots.com, accessed 2024.
Dilan U+16DE (2024) Bewitching Technologies. https://bewitchingtechnologies.link/.
Dusollier, Séverine (2006). The Master’s Tools v. The Master’s House: Creative Commons v. Copyright. Columbia Journal of Law & Arts, 2006, vol. 29, p.271-293.
Énard, M. (2023) The annual banquet of the gravediggers’ guild. Translated by F. Wynne. London: Fitzcarraldo Editions.
Francke, A. and de Kersaint Giraudeau, M. (2016) Bad Vibes Club at CCA - The Rise of the Awkward Turtle. https://soundcloud.com/ccaderrylondonderry/bad-vibes-club-at-cca-the-rise-of-the-awkward-turtle (Accessed: 8 April 2024).
Free Art Licence (2008), https://artlibre.org/
G.B. Jones (2022). Toronto: Kunstverein Toronto.
Groys, B. (2014) ‘On Art Activism - Journal #56’, e-flux Journal [Preprint], (56). https://www.e-flux.com/journal/56/60343/on-art-activism/ (Accessed: 19 February 2024).
Hall, Gary (2024) "The Pluriversal Politics of Radical Publishing's Scaling Small". http://www.garyhall.info/journal/2024/10/18/the-pluriversal-politics-of-radical-publishings-scaling-smal.html
Hall, Gary (2023) 'Experimenting with Copyright Licences'. Copim. https://copim.pubpub.org/pub/combinatorial-books-documentation-copyright-licences-post6
Hyesoon, Kim (2018) Autobiography of Death, English translation by Don Mee Choi, New York City: New Directions; Autobiografi av död (2022) Swedish translation by Jennifer Hayashida and Andjeas Ejiksson, Stockholm: 20TAL Bok.
Inness, J.C. (1996) Privacy, Intimacy, and Isolation. Oxford, New York: Oxford University Press.
Keenan, Sarah (2014) Subversive Property: Law and the Production of Spaces of Belonging. Routledge.
Kember, Sarah (2024) "Householding" in Culture Machine journal Vol. 23 “Publishing after Progress” edited by Rebekka Kiesewetter. https://culturemachine.net/vol-23-publishing-after-progress/kember-householding/
Kember, Sarah (2020) “Distributed Open Collaborative Scholarship”, in The Knowledge Futures Commonplace, March 15, 2020. DOI: 10.21428/6 d8432.fdf89d72
Kiesewetter, Rebekka (2020). A New Genealogy for Critical OA Publishing: Towards a Politics of Intersectional Transnationality. Journal of International Women's Studies, 21(7), 61-76. https://vc.bridgew.edu/jiws/vol21/iss7/6
Kiesewetter, Rebekka (2023) Reading Differently Expanding Open Access Definitions Towards Greater Knowledge Equity, doctoral thesis. Coventry University. https://pureportal.coventry.ac.uk/files/78391764/ReadingDifferently_Final_RebekkaKiesewetter_lib_1_.pdf
Kirchenbauer, Vika (2022) 'Complicating Critique', in Works, Scripts, Essays 2012-2022, Mila: Mousse Publishing.
Lugones, Maria (2010) ‘Toward a Decolonial Feminism’, Hypatia, Vol. 25, No. 4 (FALL 2010): 742-759.
Mansoux, Aymeric (2012) “How Deep is Your Source,” in Digital Art Conservation, Preservation of Digital Art: Theory and Practice, ed. Bernhard Serexhe, Karlsruhe: ZKM. And accessible here: https://archive.bleu255.com/bleu255.com-texts/how-deep-is-your-source/
Matos, Michaelangelo (2007) 'All Roads Lead to "Apache"', in Listen Again: A Momentary History of Pop Music, Durham and London: Duke University Press.
McBride, Sindi-Leigh & Rensing, Julia (eds) (2023) Lost Libraries, Burnt Archives. Cape Town: Michaelis Galleries.
McCutcheon, Mark A. (2007) 'Techno, Frankenstein and Copyright', in Popular Music, Volume 26/2, Cmbridge: Cambridge University Press.
McKittrick, Katherine (2021) Dear Science and Other Stories, Durham & London: Duke University Press.
Mingus, Mia (2011) ‘Access Intimacy: The Missing Link’, Leaving Evidence, 5 May. https://leavingevidence.wordpress.com/2011/05/05/access-intimacy-the-missing-link/ (Accessed: 19 February 2024).
Mingus, Mia (2017) ‘Access Intimacy, Interdependence and Disability Justice’, Leaving Evidence, 12 April. https://leavingevidence.wordpress.com/2017/04/12/access-intimacy-interdependence-and-disability-justice/ (Accessed: 19 February 2024).
Mol, Annemarie (2008) The logic of care: health and the problem of patient choice, London: Routledge.
Mugrefya, Élodie & Snelting, Femke (2022) “Collectively Setting Conditions for Re-Use.” MARCH International.
‘Mukurtu CMS’ (no date). https://mukurtu.org/ (Accessed: 23 February 2025).
Nguyen, Thi C. & Strohl, Matthew (2019) ‘Cultural Appropriation and the Intimacy of Groups’. Philosophical Studies 176, no. 4 (1 April 2019): 981–1002.
Nonviolent Public Licenses (no date). https://thufie.lain.haus/NPL.html (Accessed: 23 February 2025).
Oakly, Be (no date) Protest fonts. https://genderfailpress.info/PROTEST-FONTS.
Okune, Angela (2019) Self-Review of Citational Practice. DOI: https://doi.org/10.5281/zenodo.3066861.
Open Source Publishing (OSP) (2024) ‘Collaboration Agreement’. https://collaboration.osp.kitchen (Accessed: 23 February 2025).
Paul, Elsie (2018) As I Remember It: Teachings (Ɂəms tɑɁɑw) from the Life of a Sliammon Elder. https://scalar.usc.edu/ravenspace/as-i-remember-it/index.
‘Paul Otlet, an Omissum’ (2019). Mondotheque, Algolit. https://diversions.constantvzw.org/paul-otlet-an-omissum.html (Accessed: 23 February 2025).
Ratti, Carlo, and Matthew Claudel (2015). Open Source Architecture. London: Thames & Hudson.
Rivera Garza, Cristina (2020) The Restless Dead: Necrowriting and Disappropriation. Tennessee: Vanderbilt University Press.
Snelting, Femke & Weinmayr, Eva (2024) “Committing to decolonial feminist practices of reuse”. In “Publishing After Progress” edited by Rebekka Kiesewetter, culture machine journal of culture and theory vol. 23.https://culturemachine.net/wp-content/uploads/2024/10/CM23_Snelting_Weinmayr_Reuse.pdf
Soon, W. and Lee, T.T. (2022) How to buy/own/mint one milliliter of the ocean from the South China sea. DOI: https://dl.acm.org/doi/10.1145/3543624 (Accessed: 23 February 2025).
‘The Anti-Capitalist Software License’ (no date). https://anticapitalist.software/ (Accessed: 23 February 2025).
‘Traditional Knowledge Research Guidelines A Guide for Researchers in the Yukon’ (2000). The Council of Yukon First Nations. https://ethicshub.ca/tool/traditional-knowledge-research-guidelines-a-guide-for-researchers-in-the-yukon/ (Accessed: 23 February 2025).
Vanuxem, Sarah (2020) Des choses de la nature et de leurs droits. Versailles: Librairie Quae. https://www.quae.com/product/1662/9782759232376/elements-of-nature-and-their-rights.
Weinmayr, Eva (2020) Noun to Verb: an investigation of the micro-politics of publishing through artistic practice, PhD thesis, Gothenburg: HDK-Valand, Art Monitor. https://cutt.ly/noun-to-verb
